The Story Behind the Strike
Michael VIII Palaiologos recovered Constantinople in 1261, ending the Latin occupation and establishing the dynasty that would rule until 1453. His hyperpyron turns that event into sacred political theatre. The Virgin appears within the city walls as protectress of Constantinople; the emperor occupies the other face within a religiously charged composition. The gold-electrum fabric reflects the diminished resources of the restored state, but the imagery is deliberately triumphant. The object proclaims that city, faith and emperor have been reunited after exile.
