
Coin
Anastasius I Gold Solidus
Anastasius inherited the late Roman solidus and made it the stable gold voice of a newly confident eastern empire. Victory and the long cross unite classical…
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Ancient Gold coin records associated with Byzantine, with documented attribution, date, condition and provenance.
49 published recordsDocumented Objects & Essays

Coin
Anastasius inherited the late Roman solidus and made it the stable gold voice of a newly confident eastern empire. Victory and the long cross unite classical…
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Coin
Justin I’s solidus preserves the last strength of the late Roman portrait tradition: an armoured emperor answered by Victory and the patriarchal cross.
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A facing military portrait and an angel with the long cross place Justin I between Roman command and the emerging sacred court of Byzantium.
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Justinian’s frontal portrait confronts the viewer; the angel behind it announces that imperial restoration was imagined under divine protection.
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Justin II faces the viewer as emperor while Constantinopolis personifies the capital whose authority his gold travelled far beyond the city walls.
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Tiberius II’s solidus sets a frontal emperor against the cross potent, reducing imperial ideology to two enduring signs: ruler and faith.
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Maurice Tiberius appears as a military ruler while an angel carries the patriarchal cross, an image of victory poised before the empire’s seventh-century crisis.
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Phocas’s unmistakable bearded portrait faces an angel of victory, preserving official confidence during one of Byzantium’s most violent changes of regime.
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Heraclius’s facing bust belongs to a reign that recovered the True Cross and then watched the old eastern order transform beyond recognition.
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Heraclius and his son appear together before a cross on steps, turning succession into a public promise during decades of war and religious change.
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Three emperors stand as a carefully ordered dynasty while the reverse cross strips imperial legitimacy to its most enduring sacred emblem.
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Heraclius and his two sons stand as a complete imperial household, while the cross reduces the empire’s hope of continuity to one monumental sign.
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The mature bearded portrait of Constans II faces a cross potent, a severe image of sovereignty from an empire fighting for survival on several fronts.
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Constans II and Constantine IV share the field as father and heir, while the reverse preserves both the cross and the younger sons who complicated the…
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Constantine IV’s military portrait is paired with a cross guarded by his brothers, preserving both victory and the unresolved tensions of imperial family rule.
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Justinian II’s first-reign military portrait faces the traditional cross, an imperial image struck just before Byzantine gold underwent a radical sacred transformation.
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Christ takes the place of highest authority, while Justinian II appears on the reverse holding the cross: a decisive reordering of Byzantine coin imagery.
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Restored after exile and mutilation, Justinian II places Christ the King opposite his own uncompromising portrait, turning a turbulent return into sacred authority.
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A small gold tremissis from Justinian II’s restored reign carries the ruler’s returned authority in a denomination made for circulation beyond the ceremonial solidus.
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Philippicus’s brief reign survives in a confident facing portrait and cross potent, official permanence asserted by a ruler who held power for less than two years.
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Leo III and Constantine V face one another across the two sides of the solidus, replacing sacred figural imagery with a direct statement of dynasty.
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Constantine V places his deceased father Leo III opposite his own portrait, using gold to turn ancestry into continuing political authority.
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Constantine V and Leo IV appear together while Leo III occupies the reverse, arranging three generations of the Isaurian dynasty in gold.
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Leo IV and the young Constantine VI face two deceased ancestors, turning the solidus into a four-generation theatre of legitimacy.
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