
Coin
Constantine VI Gold Solidus
Constantine VI appears beside his father on one face and his grandfather and great-grandfather on the other, inheriting a dynasty whose internal tensions would shape his…
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Ancient Gold coin records associated with Byzantine, with documented attribution, date, condition and provenance.
49 published recordsDocumented Objects & Essays

Coin
Constantine VI appears beside his father on one face and his grandfather and great-grandfather on the other, inheriting a dynasty whose internal tensions would shape his…
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Irene occupies one face and Constantine VI the other, a stark two-person image from one of Byzantium’s most charged struggles between regent, mother and emperor.
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Nicephorus I and Stauracius divide the solidus between reigning father and designated son, restoring a direct dynastic portrait after Irene’s sole rule.
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Theophilus places his father and a deceased elder brother opposite his own portrait, making family memory the foundation of present rule.
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This small Syracuse semissis repeats Theophilus on both sides, translating Constantinopolitan authority into the distinct visual language of a western mint.
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Christ enthroned faces Romanus I and Christopher, placing an ambitious shared dynasty beneath a visibly higher sacred kingship.
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Christ precedes Constantine VII and Romanus II, presenting scholarship, ceremony and succession as government exercised beneath sacred authority.
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Christ faces Constantine VII and Romanus II beneath an altered reverse inscription, a politically charged solidus from Romanus II’s short independent reign.
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Christ confronts the viewer while John I is crowned by the Virgin and the hand of God, turning a contested accession into a ceremony of divine…
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Christ’s commanding portrait and the paired emperors Basil II and Constantine VIII express the sacred and dynastic foundations of Macedonian power.
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Constantine VIII stands alone opposite Christ after decades as junior emperor, his portrait finally presenting the colleague as sole sovereign.
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Christ stands in majesty while the Virgin crowns Romanus III, staging imperial rule as a sacred coronation rather than a merely political succession.
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Christ enthroned faces Constantine IX across a broad histamenon, projecting sacred order during a reign of court culture, diplomacy and mounting pressure.
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Christ enthroned faces Constantine X on a broad histamenon, preserving sacred calm at the opening of the Doukas dynasty.
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Romanus IV shares his gold with Eudocia and the young Doukas heirs, exposing the complicated family settlement behind a reign remembered for Manzikert.
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Christ stands opposite Michael VII, whose serene histamenon conceals the fiscal strain that gave the emperor his enduring numismatic nickname.
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Christ blesses from the broad hyperpyron while the hand of God crowns Alexius I, announcing both a restored emperor and a restored gold currency.
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Christ stands opposite a coronation by the Virgin, presenting John II’s inheritance of the Komnenian restoration as an act of sacred continuity.
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The youthful Christ Emmanuel faces Manuel I standing in imperial splendour, pairing sacred promise with the cosmopolitan ambition of the Komnenian court.
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The Virgin occupies one face while Isaac II stands with an archangel on the other, wrapping a fragile Angelos reign in a powerful network of heavenly…
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Struck at Magnesia in the empire of Nicaea, this hyperpyron claims Constantinopolitan sacred kingship for a court ruling in exile.
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The Virgin within Constantinople’s walls faces Michael VIII, celebrating the restoration of the capital and the birth of the Palaiologan dynasty.
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The Virgin shelters Constantinople while Andronicus II kneels before Christ, an image of humility from a reign confronting the empire’s accelerating contraction.
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The Virgin guards the capital while Christ receives Andronicus II and Michael IX, using sacred ceremony to stabilize a difficult father-and-son partnership.
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