

Journal Article
Anastasius I: A Solidus between Rome and Byzantium
An armoured emperor and a cross-bearing Victory reveal how Constantinople renewed an inherited Roman gold language rather than abandoning it.
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Read Ancient Gold Journal essays filed under Byzantine Empire, connecting historical interpretation with objects preserved in the collection.
13 published recordsDocumented Objects & Essays


Journal Article
An armoured emperor and a cross-bearing Victory reveal how Constantinople renewed an inherited Roman gold language rather than abandoning it.
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Journal Article
Across four related solidi, a monumental cross answers changing portraits of emperor, son and dynasty during one of Byzantium’s most turbulent reigns.
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A facing gold portrait and a cross-bearing angel condense Justinian’s programme of law, sacred monarchy and Roman restoration.
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A capital solidus and a Syracuse semissis show how an iconoclast emperor made ancestry and the ruler’s body carry the burden of legitimacy.
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Alexius I answered a weakened monetary system with the hyperpyron, a concave gold denomination whose sacred imagery carried renewed fiscal authority.
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How the imperial mint at Constantinople used stable gold, changing portraits and carefully placed marks to make authority portable.
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A winged figure did not change meaning overnight: late Roman Victory and the Christian angel overlap before the new reading becomes explicit.
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Byzantine gold turned family hierarchy into public government through placement, scale, regalia and the division of the two faces.
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CONOB is a compact late Roman and Byzantine mint formula: Constantinople plus a claim of refined gold, not a decorative signature.
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A rare Constantinopolitan solidus places Irene before her son, turning a restored partnership into a carefully ordered image of authority.
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The first-reign hyperpyron of Isaac II makes celestial protection visible at the troubled end of the Komnenian political order.
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A gold coin on which theology, ceremony and succession become inseparable.
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Christ the King, a mutilated ruler and the uncompromising imagery of the years AD 705–711.
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